“ I Revolt, Therefore We Are to Come "：Imaginary M/ Other in The Assassin and The Grandmaster Yuh yi Tan Transnational Film Production and the Tourist Gaze: on Hou Hsiaohsien’s Café Lumière and Flight of the Red Balloon The absent father of Sino-French cinema: contemporary Taiwanese cinema and 1950s French auteurs Michelle E. Bloom Cinema and history: critical reflections HOU Hsiao-Hsien (Translated by Petrus LIU) Taylor and Hou Hsiao-Hsien’s films: pursuing and escaping history DAI Jinhua (Translated by ZHANG Jingyuan) Stylistic Innovations and the Emergence of the Urban in Taiwan Cinema: A Study of Bai Jingrui's Ealry Films Shen, Shiao-ying Getting It on Film:Representing and Understanding History in A City of Sandess[悲情城市] Chi,Robert [評Nick Browne, Paual Pickowicz, Vivian Sobchack, and Esther Yau], New Chinese Cinemas: Forms Identities Politics Xiao,Zhiwei