In recent years, more and more researchers juxtapose adaptation studies with translation studies. They hope to offer new standards or insights for translation and adaptation. And to examine the process and results of intersemiotic translation and intermedia adaptation, this thesis intends to study how Dracula has been adapted from novel to TV mini-series since 1897 to 2020. Abandoning the benchmark of fidelity and equivalence, this thesis adopts the concepts of intertextuality and Neo-Victorianism to compare the novel with the 2020 adaptation in characters, settings and so on to further discover how Dracula can always adapt to the new era and never get old. The result indicates that Dracula can keep pace with the times through adaptations, so this classic may spread more widely and longer.
第一章 緒論 1
第一節 文本介紹 2
第二節 文獻探討 7
第二章 理論架構 15
第一節 翻譯與改編 15
第二節 互文性 19
第三節 新維多利亞主義 21
第三章 人物設定 25
第一節 敘事視角 25
第二節 人物介紹 28
第三節 小結 56
第四章 故事架構 59
第一節 時空背景 61
第二節 劇情改編 66
第三節 小結 76
第五章 結論 79
第一節 研究結論 79
第二節 研究貢獻和未來發展 80
參考文獻 82
附錄一：小說書信標題總覽 88
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