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4.5 out of 5 stars
4.5 out of 5
693 global ratings
I jokingly refer to Marlon James as My Baby Daddy...I feel like I have been pregnant wit want of the last book. It's like the last swig of Red Stripe and bite of Curried Goat, in bed, naked. I WANT MOREEEEE!!!!
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5.0 out of 5 stars Author Marlon James returns to his genre-bending world of the Dark Star Trilogy in his follow-up to “Black Leopard, Red Wolf,” with “Moon Witch, Spider King.” Imagine a mad scientist hunched over a concoction that is part L. Frank Baum, part J.R.R. Tolkien, part Lewis Carroll, and part George R.R. Martin, with a little Stephen King and Larry Flynt thrown in for good measure and you won’t even scratch the surface of the Dark Star Trilogy.

While technically this is a review for “Moon Witch, Spider King,” it’s nearly impossible to separate it from “Black Leopard, Red Wolf,” as clearly each book serves as a unique view of the same whole. That being said, “Moon Witch, Spider King” can be enjoyed as a standalone fantasy novel, but for the richest experience possible it is advisable to read it within the context of its intended trilogy. “Black Leopard, Red Wolf” is the story of a group of extraordinary men, women, and fantastical creatures assembled with the intention of rescuing a child that has been missing for three years. The story is told in a non-linear fashion as a series of adventures recounted by a protagonist known only as “The Tracker.” Among the assembled fellowship, and serving as a minor antagonist, is Sogolon, known as the Moon Witch. “Moon Witch, Spider King” reshuffles the deck, and recasts Sogolon as the primary protagonist and narrator. Spanning 177 years, Sogolon tells her life story, including how she became a member of the rescue party, and retells the events of the first novel from her point of view, adding a fair amount of mystery and intrigue as her account of those events rarely correspond with those told by the tracker.

Marlon James’ prose and narrative style are both unique and inspired. In fact, I defy any fan to not recognize his writing after only a page. However, too much of a good thing is not always the best recipe for success. After over 600 pages of linguistic acrobatics, an exhaustion creeps into the bones that suggests having crawled a marathon. Told from the first and third person POVs of an “uneducated, bush woman” the combination of pre-colonial African colloquialisms and speech patterns with circuitous and tangential storytelling result in what I would charitably call a “challenging” narrative. Several sections of the narrative were reread in an effort to understand mysterious shifts in characterizations, settings, and time periods only to discover the explanation isn’t available for another fifty pages. Abrupt transitions with little to no explanations result in a narrative that is difficult to follow and laborious to understand.

Characterization is a mixed bag for a number of reasons. On the one hand, the characters of Sogolon, her “friend” Princess Emini, and her “husband” Keme are extremely well developed. Each painstakingly crafted and explored, they are dynamic, multi-dimensional characters. Each fiercely loyal and caring but also equally capable of betrayal, brutality, and cruelty, they are all fascinating and thought-provoking characters. Unfortunately, odd plot devises such as memory losses and seismic time shifts forces these characters to constantly evolve, as all characters must, but also forces them to revert to their initial condition several times over in which case the characters must rediscover themselves and evolve all over again. Every time we begin to understand and sympathize with a character, some plot device negates everything that came before. The effect is tedious and counterproductive to the narrative flow.

Although steeped in African mythology and folklore, the North and South Kingdoms as well as the wildly inventive creatures populating these kingdoms are products of James’ unparalleled imagination. As such, it takes an adept hand at worldbuilding to provide the evocative and visceral descriptions necessary to breathe life into such a world. Descriptions of characters, settings, and action sequences bring the unimaginable to life with such startling imagery the reader steps away with what approaches a cinematic experience.
James’ use and exploration of thought-provoking and contemplative themes results in a reading experience that lasts long after the story is complete. Whereas “Black Leopard, Red Wolf” explores the roles of masculinity within pre-colonial African social and political structures, “Moon Witch, Spider King” approaches femininity through similar optics and with startling revelations. The dichotomy between power and powerlessness and especially between truth and lies are revisited throughout both narratives. Lies, in particular, appear to be fierce weapons of both the Tracker from book 1 and Sogolon from book 2. One or both characters are clearly liars, but whether those lies serve anything more than survival is a question to hopefully be explored in the conclusion to the trilogy.

“Moon Witch, Spider King” is a challenging read with a lot for a reader to unpack. The world building alone is worth the price of admission, but the introspection raised through the course of the narrative is the fuel that drives the story forward. Universal themes are explored and challenged, and conventions are flouted in a story dripping with originality. While I generally don’t enjoy having to work so hard to access and understand a novel, I remain enthralled by the story and eagerly await the conclusion of the Dark Star Trilogy.
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Marlon James acertou uma vez e agora conseguiu de novo: OBRA-PRIMA! é impossível não ficar fascinado por essa saga, tanto pelo mundo, pelos personagens ou pela trama, mas sobretudo pela estrutura, na qual o autor se esforçou muito pra imbuir de inspirações definitivamente não europeias e totalmente metalinguísticas. aqui novamente vemos a história da busca fracassada pelo garoto, só q agora sob uma outra ótica, q leva em conta motivações e revelações totalmente diferentes.

Sogolon não tinha me chamado muito a atenção no primeiro livro. achava ela até uma personagem irritante. o q o Marlon teceu nesse livro fez minha opinião mudar completamente, oq imagino q seja parte da intenção dele. ao mostrar a jornada brutal e triste da personagem, conseguimos absorver a visão de mundo dela e entender suas preocupações. é uma jornada de vingança e obsessão, mas tbm de solidariedade feminina e identidade.

a narrativa tá beeem mais acessível e linear do q em LNLV, acompanhamos direitinho a vida da protagonista pelos diferentes estágios da vida, da corte traiçoeira e do lar caloroso em Fasisi até as perambulações dela por toda essa África mística e ancestral. consegui fixar muito melhor vários conceitos e contextos histórico-políticos desse mundo, foi extremamente esclarecedor nesse sentido. quem se sentiu boiando no primeiro livro vai se encantar com a continuação.

o universo continua estupendo. aquele misto de fantasia com história, com o autor buscando emular uma África complexa e independente antes das influências cristãs e islâmicas. o Marlon sempre diz q quer fazer pela África oq Tolkien fez pela Europa, no sentido de dar vida a todas essas mitologias, criaturas e referências enquanto constrói uma narrativa q tbm é africana em seu modo de contar. felizmente os livros não ficam só nesse conceito, entregam absolutamente tudo.

o final foi como o do primeiro, porém contado de uma maneira completamente diferente, é absurdo ver como a troca de ponto de vista muda o tom e o foco da história. torço tanto pra q a Intrínseca traga pro Brasil esse segundo volume, pq é algo sem precedentes na fantasia contemporânea q merece ser muito conhecido. no terceiro volume, supostamente veremos a história do garoto. ainda tem vários mistérios pra serem revelados, além do fechamento da trama q se passa no presente. mal posso esperar!!!
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S. Hain
2.0 out of 5 stars After the wild ride of the first book the sequel managed to just bore me. I like the character, but after the first part there is just nothing happening anymore, could not be bothered anymore after about a third.
Report Properly great stuff from James here, from the opening to him telling us how much his mother is allowed to read.

I loved Black Leopard, Red Wolf but definitely felt there was an issue with every female character seemingly being a form of antagonist.

Here that is hugely redressed as we go through the history of Sogolon the Moon Witch, including the parts of book 1 we weren't present for in that narrative.

Just some of the best fantasy work I've read.
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James McCann
5.0 out of 5 stars This is a hard but rewarding read. I can't imagine how you even go about thinking of writing a book like this. He could have chopped this up into 10 books such are the quality of the ideas.
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