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研究生: 高輔霖
研究生(外文): Gau Fu-Lin
論文名稱: 明代百官服飾制度及其僭越與濫賞研究
論文名稱(外文): Official Dress Code and Violations in the Ming Dynasty (A.D.1368-1644)
指導教授: 王宇清;盛餘韻
指導教授(外文): Wang Yu-ching; Angela Sheng
學位類別: 碩士
校院名稱: 輔仁大學
系所名稱: 織品服裝學系
學門: 民生學門
學類: 服飾學類
論文種類: 學術論文
論文出版年: 1995
畢業學年度: 83
語文別: 中文
論文頁數: 202
中文關鍵詞: 明代 百官 服飾制度
外文關鍵詞: Official Dress Code Ming Dynasty
相關次數:
  • 被引用 被引用: 7
  • 點閱 點閱:881
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  • 收藏至我的研究室書目清單 書目收藏:2
服飾制度是服飾史研究的重要課題。中國傳統社會中,服飾制度即是在等
級嚴格區分的前提下,為維持良好社會秩序而制定的一種服飾規範,但由
事實可知,在中國服飾史中,服飾制度的實施卻有背紀違規的情事。本論
文主要在探討明代百官服飾制度與實際服飾情形之間的異同,並試圖分析
其影響因素。  明代百官服飾制度主要在洪武朝制定,洪武元年二月初
定,十一月已具雛型,其後各年逐漸增加規制,可說到洪武三十年才告完
備,且其制為以後各朝的準據。自建文以後各朝,僅景泰四年更定錦衣衛
指揮侍衛時得用麒麟服色,嘉靖七年增定品官燕居的忠靜冠服,八年詳定
朝服、祭服及十六年重定常服色彩與圖文的規制。在明代百官服飾制度的
內容方面,變更較少,具有相當的持續性。  在明代百官服飾制度實施
方面,從文獻、繪畫、墓葬等服飾資料來看,官員們並未予以確切遵行。
雖有禮、法規範服飾制度的實施,但仍有服飾形制、色彩、圖文、材質等
與制度不符,或卑官僭用高官服飾,或僭用玄、黃、紫及蟒龍、飛魚、斗
牛等服色。違制的原因,除了官員本身的僭越之外,皇帝也以此濫賞,從
而破壞既定的服飾制度。
Dress code is an important aspect in Chinese costume history. A
dress code refers to a norm regulating dressing behavior. In
Chinese society--ideally conceived as a hierarchical
structure-- the dress code was intended to maintain and promote
the existing social order. However, the implementation of such
a system to have had its problems throughout Chinese history.
The aim of this paper is to examine the extent of compliance
with and discrepancy between the official dress code and the
actual way of dressing during the Ming Dynasty, as well as to
give an account of the possible reasons responsible for the
latter. The official dress code of the Ming Dynasty was chiefly
formulated under the Emperor Hongwu. The system was launched
in February 1368, and perfected in November of the same year.
The system was either enlarged or revised over the years, and
it was not until 1397 that the system was finally completed.
This system also became the standard of the official dress code
under subsequent emperors. Since the Jianwen period (1399-)
onward, apart from the allowance of the qi-lin (unicorn) to be
used on the clothes of the Jinyiwei (military official)
commander in 1453, the addition of the Zhongjing (leisure)
clothes in 1528, the detailed specification of the court and
ritual attire in 1529, and the redefining of the colors and
patterns for ordinary clothing in 1537, the system was seldom
amended and maintained a relatively long continuity.